The extremes - background of the WPL
collection and how it did not fit in with the Wason Collection.
Spark and initiation of the project.
On
Wen Pulin himself.
First steps, aligning various interests.
The legal aspects of this international
cooperation
What the heck is a visual archive?
Second steps, now with real funding and
(alas!) with real deadlines.
Some discoveries, more materials,
unanticipated restrictions.
First satisfying results, and more
discoveries.
Things we still dont know about the archive.