Structure of the presentation:
The extremes -
background of the WPL collection and how it did not fit in
with the Wason Collection.
Spark and initiation of the project.
On Wen Pulin himself.
aligning various interests
The legal aspects of this international cooperation
What the heck is a visual archive?
Second steps, now with real funding and (alas!) with real deadlines.
Some discoveries, more materials, unanticipated restrictions.
First satisfying results, and more discoveries.
Things we still dont know about the archive.